004
Preface: The Power of K-Sculpture: Empowering the Future

010
A worldview of nature, living creatures, harmony, and coexistence: Lee Gilrae
Hong Kyounghan - Art critic / Curator

028
An Art of Transcendence Woven with Female Narratives: Yeesookyung
Kang Eunju - Art critic

046
The Art of Asking, Sympathizing Sculpture: Kim Seungyoung
Kho Chunghwan / Art critic

066
Humans in Relationship with Animals, Nature, and the Environment: Geum Joonggi
Kang Jaehyun / Curator at Savina Museum of Contemporary Art

086
New Sculptural Expression Found in the Essence of Form: Lee Jaehyo
Lee Kyungmo - Art critic

0104
Parodies, Hybridity, and Variations in Sculpture Language: Sung Donghun
Kim Sungho = Art critic / Visiting Professor at Sungshin Women’s University


122
Delightful Visual Play of Deconstruction and Construction: Bahk Seonghi
Choi Taeman - Art critic

142
A Transcendent Aesthetic That Blurs the Boundaries of Time: Shin Meekyoung
Kim Yoonsub - Art critic

162
An Approach to the Source of Existence with Minimal Material: Park Seungmo
Kim Jinyub - Art critic / Director of the Korea Visual Arts and Culture Institute

180
Collector of Memories, the Image Capturer: Koh Myungkeun
Kim Suejin - Art critic

198
Reflecting on Technological Civilization Through Mechanical Life Forms: Choe U-ram
Mun Hyejin - Art critic

220
Archaeological Landscapes Excavating the Memory of Creation and Dissolution: Cha Kiyoul
Peik Kiyoung - Former Director of Operations at Buk-Seoul Museum of Art


244
Roundable on the Future of K-Sculpture